News

This week, T3 is hiring a media planner, while Scratch needs a manager of project leadership. MediaWhiz is seeking a senior SEM/paid search analyst, and Mullen is on the hunt for a group strategy director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

• Media Planner T3 (San Francisco, CA)
• Manager, Project Leadership Scratch (New York, NY)
• Senior SEM/Paid Search Analyst MediaWhiz (New York, NY)
• Group Strategy Director Mullen (El Segundo, CA)
• Senior Brand Strategist Mullen (Boston, MA)

Find more great advertising jobs on the AgencySpy job board. Looking to hire? Tap into our network of talented AgencySpy pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

There was a time, all the way back in April, when the Internet was outraged at actor/director Zach Braff. You see, after seeing Veronica Mars fans quickly pony up over $2 million to turn the cult 2000s TV show into a movie, Braff figured he’d turn to the same platform, Kickstarter, to get his next film project funded.

This caused a lot of butthurt, especially on social media, where complaining is an art form of sorts. “But, @ZachBraff is a multimillionaire,” tweeted the world in unison. “Why should people be give the rich #Garden State douche their hard earned money to make a second #douchetastic film?” Comedian Tim Heidecker took the complaining to the next level, actually tweeting Zach Braff a one-page script about his douche-y idea. This was all fun for a while, but despite the Internet outrage, Braff’s Kickstarter investors already raised more than he needed for the movie, and everyone stopped caring. Well, almost everyone.

Starting today, the guys behind the website Screen Junkies (featuring that “brand rapper” former Deutsch LA copywriter dude Jason Pickar) have turned to Kickstarter competitor IndieGoGo to start “Don’t Back Zach Braff.” The campaign discourages people to donate to Zach Braff’s movie, despite it already being funded last month and everyone moving on to more important things like Angelina Jolie and the How I Met Your Mother season finale. With $10,000, Screen Junkies will take out a full-page ad in the print edition The Hollywood Reporter discouraging the people to give money to Zach Braff’s already funded project which, even if it wasn’t, would still be a waste of money, because you’d be making a media buy in The Hollywood Reporter and this isn’t 1954. With $200,000 Screen Junkies pledges to make whatever this is into even more of an exercise in futility by buying a full-page ad in (hold onto your butts) Entertainment Weekly.

Yes, of course they’re doing all of this ironically (we hope, for the love of God). After all, when has doing things solely for the sake of irony not led to great ideas? Donate here, or, you know, you could not let whatever Zach Braff is doing have any impact on your spending habits. Credits after the jump.

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New Career Opportunities Daily: The best jobs in media.

Since tipsters were scolding us for not talking about it much, here’s a quick update on Porsche North America’s creative review, which was launched five months ago. From what we’ve been told, it’s basically down to a few finalists and sources familiar with the matter confirm that Chicago-based incumbent Cramer-Krasselt is still very much in the mix.

We’re hearing that C-K, which has handled the account since 2007, is now battling it out with just a couple of the other finalists reported by Adweek in February including Droga5, CP+B Miami, Olson (when reached, wouldn’t comment, referred inquiries to client) and McKinney. Yep, it’s still a crapshoot, but we hope you’re appeased for now. As has been reported, you probably shouldn’t expect anything until end of month/early next, but who thinks C-K will retain? Feel free to weigh in.

New Career Opportunities Daily: The best jobs in media.

As you may know, Oklahoma City Thunder All-Star Russell Westbrook suffered a season-ending knee injury in the first round of NBA Playoffs. Instead of flying in for dunks, Westbrook has watched the rest of his team’s games with crutches by his side. And even though the Thunder are one game away from playoff elimination, Champs and Jordan brand have decided to launch a new Westbrook campaign, created by L.A.-based agency Zambezi and filmed pre-injury, as perhaps a sign of solidarity for their hobbled endorser. The above commercial will run for the next few weeks during the Conference Finals.

In the spot, a high school basketball player transforms into Westbrook on and off the court when he gets new Jordan gear from Champs Sports. The on-the-court part is great, but the off-the-court part may not be a good look for a high school kid – or any human being with two spoonfuls of self-respect, for that matter – since Westbrook is the guy who wears this in his free time. Regardless of the fashion lampooning or the fake glasses he wore regularly to post-game press conferences, the decision to keep the campaign alive after Westbrook’s injury is a cool gesture from the brands involved. Be on the lookout for more Westbrook spots as we head into the never-ending stretch of NBA Playoff basketball that precedes summer.

New Career Opportunities Daily: The best jobs in media.

The Trusteeship Council Chamber at the United Nations, originally designed by Danish architect Finn Juhl in 1952, reopened last month after a three-year renovation.

“We all moan about the United Nations, but there was no supranational body, no international forum [in 1914],” says Harold Evans in this week’s New York Times Book Review Podcast, discussing the status of global communication at the dawn of the First World War. “You were reliant on these errant telegrams, these errant messages, these ambassadors in their frock coats carrying these ambiguous messages. Oh, crikey! What a thing worth studying.” The frock coat-free body has just had an update of its own, with the reopening of the Trusteeship Council Chamber at the UN headquarters in New York. Originally designed by Finn Juhl in 1952, the chamber has undergone a multi-million-dollar renovation–a collaborative effort by the Danish Ministry of Foreign Affairs, the Danish Ministry of Culture, Realdania, and the UN.

The floor and wall panels have been restored, but this was basically a gut reno: new ventilation, piping, wiring, and carpeting as well as a fresh floor that recreates the original, including the sunken section in the middle of the horseshoe configuration. And then there’s the furniture: a modified version of Juhl’s FJ51 chair is joined by new furniture designed by Kasper Salto and Thomas Sigsgaard. The Copenhagen-based designer-architect duo won a 2011 design competition for new tables for the delegates and a new table and chairs for the secretariat. “Our motto has been letting the furniture add to the existing room by having them consist of as few elements and parts as possible,” say Salto and Sigsgaard, who were on hand last month for the opening ceremony. “Respecting the room and the consequent use of wood in the room.” Their Council chair (pictured) is an elegant two-part shell of molded Reholz 3D veneer in oak, upholstered in light-colored leather. Juhl’s Chieftain chair was a primary inspiration.
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New Career Opportunities Daily: The best jobs in media.

And this, friends, is how an unlikely bond on the Twitters begins. Last Friday, digital agency Resource, which houses offices in Columbus, Cincinnati, Chicago, etc., decided to continue its habit of engaging/baiting Twitter celebs. Not sure Shawn Ries is quite a “celeb” per se, but the guy’s been a staff writer on Family Guy for a couple of years, so that at least says something. Anyhow, Resource, which handles all digital properties for the “It’s not delivery” pizza brand, DiGiorno, decided to strike up a Twitter convo, and above and below, you can see how the chat evolves from snippy to sappy in no time (and now, we’ve been told Ries follows DiGiorno..aww). Think we all learned something today, though we’re not sure what yet. You can check out larger, squint-free image after the jump…

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New Career Opportunities Daily: The best jobs in media.

Details are still hazy on this one, but word from sources in the know is that Sarah Montague, who’s spent the last two years serving as SVP, marketing at Digitas, is assuming the role of managing director at Organic San Francisco. The latter, Omnicom-owned agency is keeping schtum on the matter for now, but Montague’s impending arrival ends a two-month search for Organic SF, which has been without an MD/GM since Alle Aufderhaar decided to go client-side.

As for Montague, during her two years at Digitas, first in Chicago, then in San Francisco, the exec headed up marketing efforts for the agency’s Kraft and Kaiser Permanente accounts. Prior to Digitas, she spent 15 months as SVP/group management director at Draftfcb on CRM and multi-channel efforts for Volkswagen. We’ll fill in the details when we get them.

New Career Opportunities Daily: The best jobs in media.

-A Bullseye View, an online magazine focused on Target, notices the similarities between Brian Sanders‘ poster art for season six of Mad Men and ’60s ads for Dayton’s, which was Target’s predecessor. link

-Ted Booth, principal/managing director at design firm Method, discusses what advertising means in an age where there’s no “traditional” agency. link

-And now, some suggestive wine pairings from Harvest Films for California’s SLO Down Wines (above; see two more spots here and here).

-Salt Lake City digital agency Super Top Secret has added Chris Moore as a partner and has launched its film/TV-focused arm, STS Studios. link

-Global production studio @radical.media has signed Stoopid Buddy Stoodios (which includes Seth Green, Matthew Senreich, John Harvatine IV, and Eric Towner) to its roster. link

New Career Opportunities Daily: The best jobs in media.

If you don’t live in the New York TV market, you may know her from the cable clip show “The Soup” as the woman who puts up with co-anchor Greg Kelly‘s antics.

Rosanna Scotto, morning anchor for New York’s FOX owned station WNYW, sat down with the mediabistroTV crew to talk about how the antics of world-famous director Woody Allen are what lead to her first big break.

For more videos, check out our YouTube channel and follow us on Twitter: @mediabistroTV

New Career Opportunities Daily: The best jobs in media.

There’s more to the Met this spring than PUNK. Writer Nancy Lazarus headed up to the roof.

(Photo: Metropolitan Museum of Art)

And how many rains must fall before the stains are washed clean? This question, posed by Pakistani poet Salima Hashmi, is at the heart of Imran Quereshi‘s latest work, created for the Metropolitan Museum of Art’s roof garden. “This is an open space, and there will be lots of rain, so we’ll see what happens,” noted the artist.

During a rooftop museum press conference on Monday morning, the brisk weather cooperated, with partly sunny skies. But the theme of global violence and regeneration still casts a dark cloud over Qureshi’s artwork, on view through November 3.

Born in Hyderabad and now based in Lahore, Qureshi said he worked with the color red more as a political statement than to depict blood, but that changed in 2010, after a suicide bombing in his neighborhood. “When I saw TV images after the bombing, the area had transformed into a bloody landscape within seconds. I was thinking, how could a landscape full of life change so quickly? For me, this altered the meaning and symbolism of the color red.”

The artist specializes not only in expansive installations but also in miniature paintings in the style of the Mughal court. He said he’s fascinated by the New York City skyline, and for him the rooftop perspective reminds him of landscapes and miniature paintings.

Assistant curator Ian Alteveer said it took Qureshi about ten days, including breaks, to create his roof garden work. The artist used high-grade acrylic, rich in pigment and waterproof, so it did withstand the monsoon-like rains of the past weekend.
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New Career Opportunities Daily: The best jobs in media.

We weren’t planning to end consecutive days like this, but yes, we’ve received confirmation that it’s now McKinney that has had to cut staff, specifically in its Durham, NC hub (the agency, which of course was acquired by Cheil Worldwide last year, also has an office in New York). We’ve been told that 30 people in all were affected across the Durham office and that the reductions were made as “an effort to align resources with current client need, including continued recruiting to fill a number of key positions.”

McKinney’s current client roster includes Sherwin-Williams and Mizuno (we’ve been told that McKinney’s “Mezamashii Run Project” for the latter brand is in fact the most Effie-winning campaign of the year so, uh, there’s that). No word yet on where this move leaves headcount at in McKinney’s NC office, but we’re checking.

New Career Opportunities Daily: The best jobs in media.

-London/San Francisco-based mobile marketing agency Fetch has appointed Catalyst S+F CEO/managing partner John Durham to its board of directors.

-It took a month to make it official, but, yes, McCann Erickson along with sister IPG agencies GolinHarris and Casanova Pendrill have been selected by the American Frozen Food Institute to develop a national consumer campaign on behalf of the newly-formed Frozen Food Roundtable.

-W+K Portland and Old Spice have reunited with Terry Crews (who just happened to be hanging with Ron Howard in NYC today) to promote the P&G brand’s Shave Gel launch (one spot above, second spot here). In addition, as part of the Shave Gel campaign, Old Spice has gained open access to Getty Images’ library of stock photography to create a 24-hour website generator, which just might be the most interesting component of the whole effort.

-And now, let’s warm the cockles and tell you that the pair of expecting Peregrine Falcons housed on Campbell Ewald’s rooftop have welcomed their first eyasses (baby falcon). Prepare to say “awww” as here’s a minute-long clip of mama’s first feeding to newborn.

-Well, that was fast as it appears JCPenney has already moved on from apologizing after barely two weeks. link; link

-ABC will kick off Nielsen’s first-ever trial in expanding the latter’s Online Campaign Ratings solution to mobile apps.

New Career Opportunities Daily: The best jobs in media.

This week, the Environmental Defense Fund is hiring a designer, while Hanley Wood needs an art director. NCARB is seeking a graphic designer/videographer, and Advocate Media is on the hunt for a magazine/web designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

• Designer Environmental Defense Fund (New York, NY)
• Art Director Hanley Wood (Washington, DC)
• Graphic Designer/Videographer NCARB (Washington, DC)
• Magazine/Web Designer Advocate Media (Dallas, TX)
• Presentation Designer Refinery29 (New York, NY)

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Audi has been busy lately, pumping out ads for their newest cars in sponsorship deals with Iron Man and Star Trek actors. They seem to be at it again, now with longtime agency Venables Bell & Partners, for a 60-second spot that traces back to the origin of the company. Retro footage of Audi’s founder, August Horch, and old-school automobiles plays for most of the spot, set to narration of the children’s poem It Couldn’t Be Done, written by Edgar Albert Guest. I guess Dr. Suess was busy.

By design, most of the commercial feels like it belongs to pre-1980, but the dissonance of the kid’s poem and the speeding-car shots strikes a cool chord. While previous car spots may be clever or topical when full of movie stars, this one stands out in a good way. It’s smooth and engaging, presumably, like a ride in a new Audi. Credits after the jump.

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New Career Opportunities Daily: The best jobs in media.

It took six months and change, but BBH has finally selected a new CEO for North America in Patrick Lafferty, who joins said agency after spending two-and-a-half years at McCann and the last 18 months as its North American COO. Lafferty replaces Greg Andersen, who was one of those affected by BBH’s major “restructuring” last fall. Lafferty, who will officially assume his CEO title at BBH this summer and based out of its New York office, rounds out a leadership team that includes CCO John Patroulis, CSO Sarah Watson and chairman, Emma Cookson.

Lafferty’s soon-to-be boss, BBH Group CEO Gwyn Jones, says in a statement, “Patrick has a really calm authority and such a rich body of experience. He has seen and done a lot both within and beyond our industry – embracing client side, media ownership and the military. We have great strategic and creative strength in the business, and I think Pat will bring outstanding leadership to that offering. On top of all that – I think he is just a great person.”

As you’d expect, Lafferty, who was, yes, a former platoon leader/company commander in the U.S. Army, will be tasked with running both BBH New York, which of course handles Axe and now Playstation, and L.A., which services clients including Red Bull. During his career, the exec has also worked on the account side at Leo Burnett and as CMO at Travel Channel.

New Career Opportunities Daily: The best jobs in media.

And now, for a little midday silliness courtesy of Whit Hiler, a creative at Lexington, KY-based Cornett Integrated Marketing Solutions who’s perhaps better known as one of the parties involved with the ongoing grassroots tourism campaign, “Kentucky Kicks Ass.” Hiler, who’s also been prone to shock and amuse on Reddit in recent months with his array of fliers, has now reteamed with his Cornett IMS crew to launch the patent-pending “Beardvertising,” which he dubs “the real native advertising.”

To be honest, we’re surprised we haven’t seen something this ridiculous before, though ad folks have ventured into “beard-selling” in the past. Anyhow, inspired by stats saying that 55 percent of males worldwide now have facial hair, Hiler and company are now seeking out men with beards that want to make money hosting, yes, “BeardBoards,” patent-pending miniature billboards that clip onto a beard. As you can see, this pretty much only applies to those in the ZZ Top/Williamsburg realm of beard growth, so it looks like we’re out the running (and from the looks of it, thank heavens). Along with brave participants, Cornett IMS is also looking for partners to advertise on BeardBoards (and we’ll be damned, they already have two). We’re just wondering why they didn’t think of this ahead of winter.

New Career Opportunities Daily: The best jobs in media.

On Thursday, NBC’s long-running U.S. version of The Office will celebrate its series finale after nine seasons on air, the last three of which everyone would like to pretend never happened because they were pretty boring and shitty.

The end of The Office also means the end of free product placement for Dunder Mifflin, the fictional-turned-real paper company licensed from Comcast by Staples two years ago to sell under the latter’s Quill brand. What might have seemed like a clever business venture at the time is now looking a bit silly as, with no more episodes of The Office on the horizon, Dunder Mifflin’s charm as a gag gift is fading quickly. Soon (as in probably about a year a so), if someone gets you a ream of Dunder-Mifflin paper, you will not laugh knowingly at the brand, thus depreciating the only value it offers. Instead, you will marvel at the fact that a friend got you a ream of paper as a gift, and likely consider them a total asshole.

Hopefully, Staples will put Dunder Mifflin out of its misery faster than NBC did with The Office, but in the meantime, we’re still getting spots produced by LA-based crowdsourcers Tongal that are even worse than the last season of the show they’re based on. Luckily for America, the above spot is only running during the series finale’s telecast in five Dunder Mifflin “branch” markets (Scranton, Utica, Akron, Albany and Syracuse), so you would most likely be spared if you hadn’t visited AgencySpy today. Sorry about that, but hey, at least we get Steve Carell back for the two-hour finale on Thursday, right?

New Career Opportunities Daily: The best jobs in media.

It’s been quite some time since we’ve heard from New York-based shop People Ideas & Culture, which was launched by former Lowe Worldwide chief strategy officer Domenico Vitale in early 2009. Well, after getting a couple of tips over the weekend that the shop has brought on a new president, we received confirmation from the man himself this morning that PI&C did (rather quietly) hire David Fausel to assume said position. Fausel (pictured) and Vitale’s relationship goes back nearly a decade when the pair worked together at what was then Kirshenbaum Bond + Partners, with the former serving as group account director and the latter, managing partner/head of strategy.

From what we’ve been told, Vitale’s now been focusing on branching out PI&C into other businesses and expanding into Europe. So, with Fausel coming on board, he now has someone to manage the agency’s New York hub, which currently counts 40 employees and houses a content company complete with photo studio and edit suite. PI&C’s client roster at the moment includes Mohegan Sun, Match.com and Hilton luxury hotels (specifically digital/social media content).

New Career Opportunities Daily: The best jobs in media.

-Alex Yenni, who most recently served as lead digital planner at SapientNitro on accounts including VitaminWater (on, for example, the #MakeBoringBrilliant campaign), has joined Blast Radius New York as strategy director.

-Spikes Asia 2013, which takes place Sept. 15-17 in Singapore, has announced its jury presidents including Ogilvy worldwide CCO Tham Khai Meng, who will head up Film, Press, Outdoor and Radio. link

-Pasadena, CA-based indie agency Ayzenberg Group, which boasts a client roster ranging from EA to Microsoft to Disney, is opening up shop in London this summer.

-Omnicom-owned Minneapolis agency Martin|Williams is behind the designs for new cans being offered by local brewer, Finnegans. link

-David&Goliath has teamed up with Psyop for a new effort called “More Luck for Your Buck,” which promotes the California Lottery’s Fortune 55 Scratchers game (above).

-Indianapolis-based agency Young & Laramore brought on Lindsay Hadley as an art director on accounts including Scotts LawnService.

New Career Opportunities Daily: The best jobs in media.

The Pantone licensing machine is chugging along nicely, even if Emerald and Tangerine Tango make for rather tough sells when it comes to cosmetics (Sephora remains undaunted). The latest focus for the company’s rainbow tour is the home. JCPenney is rolling out a Pantone Universe line of bed and bath items, from Peach Parfait sheet sets and Purple Magic pillows to Blue Aster shower curtains and Macaw Green toothbrush holders, that arrives in stores next month. That gives you a few weeks to colormatch your walls with Pantone paint. The new collection, a partnership with Valspar, offers color lovers a selection of 100 “on-trend hues” that runs the gamut from classic neutrals to eye-searing brights. The colors are available exclusively at Lowe’s for approximately $30 per gallon.

New Career Opportunities Daily: The best jobs in media.