Konzerthaus Dortmund: Resonator
Advertising Agency: Jung von Matt/Elbe, Germany
Executive Creative Directors: Sascha Hanke, Wolf Heumann
Art Director: Patrik Hartmann
Copywriter: Michael Okun
Management Consultant: Rolf Kutzera
Project Manager: Nina Gerwing
Junior Project Manager: Elena Pfluger
Producer: Thomas Nabbefeld
Production: Bigfish Berlin
Director: Simon Ladefoged
Camera: Kristian Leschner
Cutter: Ben von Grafenstein
Producers: Andrea Romann, Robert Gold
Line-producer: Julia Vogler
VCC, Hamburg Online/VFX
Sound Design: Hastings, Hambug
Sound Engineer: Oscar Meixner


18 Comments
great impact, over all because of the dynamic editing job...
feeling the music with your whole body? nice approach
at some point I expected some of the musicians would hit some delicate part down there with the sticks.. hahaha... but why when looking at this kind of suspense-raising spots you always expect something funny or at least shocking?
Hormone vs Neuron - Twitter
Why some people here act like they're f*cking Cretive Directors?
I wish, there woud have been a bit more of a tension curve. Otherwise nice.
Why some people act like creatives and post weird creative?
Why some people only post Guest comments?
Why some people have problems with Guest comments?
Very deep idea :)
Alexander Bickov - Freelance web designer | Twitter | Facebook | Creative ideas
Why some people why some people?
Why nobody wanted to play the flute?
HAHA
:::J:::
LOL!!!!
Pretty nice piece. I started to get the idea of what it was about towards the end, which I like. Seemed kinda painful to have the violin bow drawn against the skin like that.
sounds ok, but didint like the editing and there is no sync in what the people are doing to the man and the music in the background...
Too long... it should've stopped after the first "breather" in the music. Otherwise, a decent idea and execution.
+++
"I love some things, and don't love some other things."
Interesting. It takes orchestra advertising to a different place.
-Natalie
http://www.nataliemarion.com
seriously, wtf is going on in Germany?
The first blow on the keys alone deserves full marks, but the sequence, a little too long, reduces the score.
Killer